![]() ![]() The compression is simply a light 2:1 setting above -20dB but it makes a difference to raw voice sessions. It’s not too heavy and this is important especially if you’re going to compress the voice again when you drop it into the multitrack. There is a really cool multiband compressor integrated from iZotope into Adobe Audition CC but I find the native Audition ‘Dynamics Processing’ perfectly fine for compressing voice over sessions. Listen to some examples in the podcast audio. Echo is great for when you end a radio jingle or DJ drop so that the radio station name or host name echoes away into a music track. I have created my own custom echo that works great when you mix vocals with music and imaging sfx. There are many echo presets in Adobe Audition some of which are really decent and others are not designed to be used on vocals. A little wetness on the reverb adds a great sound to audio production although other radio imaging producers may argue that reverb is old fashioned and that you should knock out low and high frequencies on a voice over so that it cuts through anything – just like those fancy men’s razors you see advertised on TV! 2. This is not something I would apply in the waveform view of Adobe Audition rather the multitrack as it involves a number of different effects (including Dynamics Processing, Graphic Equalizer and Studio Reverb). Some voice artists don’t need this process but in many cases sessions come in dry and need a little brightening up. I push up the high range frequencies to give a little sparkle to the voice. I add some of my own custom EQ to voice overs, like my own, and other voice over artists that perform work for Music Radio Creative. ![]()
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